Glad Cloud Ambient Music Festival

Glad Cloud Ambient Music Festival

Glad Cloud is a monthly series that celebrates the rich landscape of Chicago musicians working with ambient music. Curated by Benjamin Mjolsness, the series provides an opportunity for ambient artists to color the air, walls, and liquids of the Whistler in a deliberately non-intrusive manner. Visitors can enjoy their cocktails and companions while the music envelops the room around them.

After three years of collaborating on the series, Mjolsness and the Whistler are working in concert to present a three-night festival featuring musicians and groups that have contributed to the series’ success, along with some new faces to keep things moving forward as year four begins. The current list of scheduled performances includes: an ambient synthesizer ensemble led by Dan Mohr (DRMWPN); a guitar duet between Bill MacKay and Leroy Bach (ex Wilco, among others); solo performances by New Yorker Justin Walter and Chicagoan Paul Giallorenzo as part of 10/16’s co-curated evening highlighting the bridge between Glad Cloud’s ambience and the Whistler’s weekly Relax Attack Jazz Series; Male (Jonathan Krohn, Todd Mattei, and the series curator, Mjolsness); White/Light (a duo of guitarist Matt Clark and sound engineer Jeremy Lemos); and Solar Fox (an ethereal duo featuring Steve Krakow, AKA Plastic Crimewave).

The festival will also serve as the release party for the Glad Cloud Ambient Music Series Compilation, Volume One, a collection of songs featuring artists and groups from the first three years of the series. The compilation will be released on the Whistler’s in-house label, Whistler Records, and features contributions from: Tim Kinsella (Joan of Arc, Make Believe, Owls); White/Light (feat. Steve Shelley of Sonic Youth); Matt Jencik (Implodes, Hurl); Jim Schoenecker (Volcano Choir); Sam Wagster (Fruit Bats); Matt Christensen (Zelienople); Male; Magical, Beautiful; Fred Lonberg-Holm & Gonzo Almeida; Radiation Waves; Bill MacKay; Dan Mohr; and Estesombelo.

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Sarmoung
Fsik Huvnx
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Featured Press:

“Fessenden are at their best when they're at their most esoteric.” -Boomkat (UK)

Fessenden

"A massive, piercing, blinding body of sound. Everything that matters all at once." -Guide Me Little Tape

Fsik Huvnx

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Baja

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Low Low Low La La La Love Love Love

“Electronica this good should be illegal.” –The Mail and Guardian (ZA)

João Orecchia

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Jatun

"An intimidating work of great artistic expression." -GoldFlakePaint

Givan Lötz

“despite the fact that the album is essentially a canvas of white noise, otherworldly drones, and astral dissonances, it achieves a remarkable sense of poignancy that holds things taut...” -Delusions of Adequacy

Male

“Ends of June is a genuinely terrific album, a collection of 12 heartfelt, largely acoustic, quiet bedroom pop songs that does in fact sound kinda like a cross between Low, the La's and Love, although to be fully descriptive, their name would also have to mention Belle & Sebastian, Neutral Milk Hotel and Sebadoh.” -All Music Guide

Low Low Low La La La Love Love Love

"Dim Past is making techno a threat!" -Tropicult

Dim Past

“a very fine debut album.” - All Music Guide

Black Feather

“Recorded lo-fi style – in a bedroom apparently – this affecting release combines breathless harmonies and fragile tunes to achieve a strange warmth. Also makes Belle & Sebastian sound like Motorhead.” -The Crack (UK)

Low Low Low La La La Love Love Love

“Ends of June is a genuinely terrific album, a collection of 12 heartfelt, largely acoustic, quiet bedroom pop songs that does in fact sound kinda like a cross between Low, the La's and Love, although to be fully descriptive, their name would also have to mention Belle & Sebastian, Neutral Milk Hotel and Sebadoh.” -All Music Guide

Low Low Low La La La Love Love Love

“Brotherly is a surprisingly rewarding album, and for a band this young, it’s exciting to think what they might try next.” -Delusions Of Adequacy

Sneaky Thieves

"a bold mix of folk, "toy-pop", and ambient rock." -Newdust

Bacanal Intruder

"An intimidating work of great artistic expression." -GoldFlakePaint

Givan Lötz

“Other Electricities delivers once again! Take all the good things you like about M83, add some Album Leaf, throw in some delicate vocals, record it and play it back through Soundwave (Transformer's reference guys) and you have Jatun.” -Insound

Jatun

“Baja, like his other compatriots on the up-and-coming Other Electricities label, operates under the maxim that modern digital music is simply an aural Cuisinart, capable of blending anything and everything into anything and everything, reshaping genre into whatever is physically possible.“ -Squid’s Ear

Baja

"It is rare in drone metal to find an outfit that can manage the careful and seamless balance of building the nods of annihilation whilst pirouetting into the proceedings from the sidelines and adding enough fresh and exciting nuances." -Tuff Gnarl

"Holly Hunt’s Gavin Perry and Beatriz Monteavaro indulge in excess. This new effort, Prometheus, is as titanic as its myth and it brings the fire." -Florida Geek Scene

"Like Cassius Clay hitting a speed bag with the heaviest Frankenstein boots on ever. Tops." -Mr. Entertainment

"Prometheus in three words: dense, majestic, spacious." -The Sleeping Shaman

"HOLLY HUNT’s songs are full of perfect sludge-filled moments that when high can act as magic portals into other parts of your imagination! All hail the power of the sludge, because HOLLY HUNT is my new drug!" -CVLT Nation
 

Holly Hunt

“despite the fact that the album is essentially a canvas of white noise, otherworldly drones, and astral dissonances, it achieves a remarkable sense of poignancy that holds things taut...” -Delusions of Adequacy

Male

“A miasmic mish-mash of otherworldly electronica it ranges free form through a whole gamut of seductive sound.” -Brainwashed

Gultskra Artikler

"Holly Hunt’s fusion of various heavy and droning genres is a mind-bending trip into dizzying ecstasy." -The Dropp

Holly Hunt

“a thoughtful and minimalist epic indie charmer” -Treblezine

Sneaky Thieves

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Low Low Low La La La Love Love Love

"Dim Past is making techno a threat!" -Tropicult

Dim Past

“Fessenden are at their best when they're at their most esoteric.” -Boomkat (UK)

Fessenden

“It’s a fantastic album, and one which continues to mesmerise as you dissect these dense compositions and begin to make sense of them.” -ATTN Magazine

Male

“this is an utterly charming collection of off-kilter pop ditties, the spirit of experimentation always lurking” -Terrascope (UK)

Dot Tape Dot

"Dim Past is making techno a threat!" -Tropicult

Dim Past

“rainbow-coloured electro-pop panorama.” -Textura (CA)

Dokkemand

“Electronica this good should be illegal.” –The Mail and Guardian (ZA)

João Orecchia

"Holly Hunt’s fusion of various heavy and droning genres is a mind-bending trip into dizzying ecstasy." -The Dropp

Holly Hunt

“Recorded lo-fi style – in a bedroom apparently – this affecting release combines breathless harmonies and fragile tunes to achieve a strange warmth. Also makes Belle & Sebastian sound like Motorhead.” -The Crack (UK)

Low Low Low La La La Love Love Love

"Dim Past is making techno a threat!" -Tropicult

Dim Past

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"Massive, richly detailed melodic movements that paint a gentle visual for the ears. A piece of art that seems as concerned with what your mind might see, as what your ears will hear." -Guide Me Little Tape

"A lustrous release that will please those looking to get replay bang for their buck." -Fluid Radio
 

Giulio Aldinucci

"Holly Hunt’s fusion of various heavy and droning genres is a mind-bending trip into dizzying ecstasy." -The Dropp

Holly Hunt

"This is where the suburb meets the city, where art rock meets ambient groove, where dreams are lived and shattered, crashing like waves against the shoreline of this African metropolis called Johannesburg." -Mail & Guardian (ZA)

Motèl Mari

“It’s a fantastic album, and one which continues to mesmerise as you dissect these dense compositions and begin to make sense of them.” -ATTN Magazine

Male

"Holly Hunt’s fusion of various heavy and droning genres is a mind-bending trip into dizzying ecstasy." -The Dropp

Holly Hunt

“rainbow-coloured electro-pop panorama.” -Textura (CA)

Dokkemand

"An intimidating work of great artistic expression." -GoldFlakePaint

Givan Lötz

"An intimidating work of great artistic expression." -GoldFlakePaint

Givan Lötz

“Mammoth swells and wordless vertigo, heavenly fades snap, crackle and pop in Jatun’s stellar noise fest. “ -Maximum Ink

Jatun

"a bold mix of folk, "toy-pop", and ambient rock." -Newdust

Bacanal Intruder

“this is an utterly charming collection of off-kilter pop ditties, the spirit of experimentation always lurking” -Terrascope (UK)

Dot Tape Dot

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Small Sails

“Tallest Trees offer endearingly loopy art-pop brimming with effortless charm.” -NME (UK)

Tallest Trees

“A miasmic mish-mash of otherworldly electronica it ranges free form through a whole gamut of seductive sound.” -Brainwashed

Gultskra Artikler

“a very fine debut album.” - All Music Guide

Black Feather

“Tallest Trees offer endearingly loopy art-pop brimming with effortless charm.” -NME (UK)

Tallest Trees

“Mammoth swells and wordless vertigo, heavenly fades snap, crackle and pop in Jatun’s stellar noise fest. “ -Maximum Ink

Jatun

“Irresistibly inviting and impossible to frown through, Similar Anniversaries is ten audio snapshots of what joy, dreams, and constant compassion sound like.” -Impose

Small Sails

"Dim Past is making techno a threat!" -Tropicult

Dim Past